Total: 74 min
FAV - the 2nd Anniversary - România 1994, 4 min
Marilena Preda Sânc - Mindscape Dreaming Mind - România,1997, 6 min
Marilena Preda Sânc - About Oldness - România, 1995, 11 min
Gaspar Csongor - Can I Swim When I Am Wearing a Tampon? - România, 1996, 9 min
Geta Brătescu, Alexandru Solomon - 2 x 5 - România,1993, 4 min
Nir Weiss, Marcel Scutaru - Scultura da Passegio - România,1995, 10 min
Neil Coltofeanu, Gaspar Csongor - Spring - România, 1997, 3 min
Radu Igazsag, Alexandru Solomon - Shriek into the Eardrum, România,1993, 27 min
* This screening will take place in the presence of: Marius Șopterean, Radu Muntean, Vali Hotea, Csongor Gaspar, Vivi Drăgan Vasile, Alexandru Solomon
Two years after its founding, Vivi Drăgan Vasile makes an assessment of the Foundation: “An idea was born, namely that market economy should somehow also work in favour of the artists. Some outlawry, in other words.” It includes images from George Soros’ visit at FAV and a board meeting of the Foundation.
In a mixture of performance and body art, the artist uses her own face and body as a projector screen and painted background.
On the one hand, the women’s aged faces, filmed among objects collected over a lifetime; on the other hand, the power of metaphorical images: volcanoes, cemeteries, construction sites. A meditation on the act of passing.
The hypnotic, semi-fictional diary of a young woman’s coming of age in a world which gives her no privacy.
The artist’s hands have their own life, they threaten, caress or turn into a landscape of wrinkles and shadows. This is the third film made by Geta Brătescu and Alexandru Solomon.
A happening made by students from the Art Academy, inspired by one of Michelangelo Pistoletto’s sculpture-objects. The sculpture crosses the city of Bucharest and enters into dialogue with its inhabitants, against the backdrop of the 1990s.
Two versions – an optimistic and a pessimistic one – of a sonnet by Ion Luca Caragiale turn into video landscapes. Which one do you prefer?
An unconventional chronicle of the literary and artistic Romanian avant-garde. The film recreates the atmosphere of those frenzied years (1916-1947) in the spirit of the avant-garde, through a bewildering collage of fundamental texts and images.