Cinemateca Eforie, cunoscută și ca Sala Jean Georgescu a Cinematecii Române, este singurul cinematograf din România dedicat patrimoniului cinematografic național și internațional.
Tarife Cinemateca Eforie:
Bilet întreg: 10 lei
Bilet redus (elevi, studenți, pensionari): 5 lei
Bilet redus pentru studenții facultăților cu profil cinematografic sau similar: 3 lei
Persoane cu dizabilități/nevoi speciale: 0 lei
Reducerile se aplică doar la casa de bilete a cinematografului, la prezentarea unei legitimații valabile.
Renowned documentarian Jean-Gabriel Périot bases his newest ‘Facing Darkness’ on the raw video footage shot over the course of a few years, starting with April 1992, by four Bosnian filmmakers. That very same month sees the beginning of the Siege of Sarajevo. What we see on the screen are images recorded in the heat of the conflict – images that oscillate between samples of journalism under imminent danger and documentary-like fragments exhibiting an incipient analytical stance....See more details
The Eternal Memory’ depicts the enduring relationship between Chilean journalist Augusto Góngora and actress Paulina Urrutia, despite the challenges they have been going through together over the past decade. The two have been a couple for 23 years, and eight years ago Augusto was diagnosed with Alzheimer's....See more details
‘Theatre of Violence’ explores the varying definitions of justice, structures of power, historical legacies, and the complex interplay of human emotions that lead to violence. Emil Langballe and Lukasz Konopa’s film seeks to underline the roots of violence within a system that is supposed to impart fairness, dissecting its underlying causes with the aid of an investigative approach that makes use of archival footage from conflict zones and carefully analyses examples of acts of terrorism....See more details
After living in France for over a decade, filmmaker Aïcha Chloé Borro returns to her native Burkina Faso on the death of her uncle – father to 22 children and patriarch of the family she left behind. The viewer may anticipate an incoming cultural clash between the Westernised director and her relatives deeply rooted in local customs and mentalities, yet the film strives for a much more complex discourse....See more details
“In this film, I shall be playing Orlando, the Virginia Woolf character”: the young LGBTQ+ community members who renowned philosopher and trans rights activist Paul B. Preciado selects for his directorial debut begin their speeches into the camera with an infectious serenity. Truth be told, ‘Orlando, My Political Biography’ does not present a series of miraculous appropriations – but a kind of homecoming for this transgressive character of modernist literature, one who defies all claims on the part of the establishment and any recuperation within heteronormative devices....See more details
The greatest of the realist writers have cultivated the incredible revelatory power of the apparently banal anecdote, but which, in fact, contains within all the coordinates of issues so broad that they invariably tip over into the abstract unless particularised. Luka Beradze's film is also based on a tragi-comic anecdote: during his 2012 election campaign, the then-president of Georgia, Mikheil Saakashvili, promised the country’s most disadvantaged citizens new teeth at the expense of his party....See more details
The incredible trial of an appallingly ordinary man. Drawn entirely on the 350 hours of rare footage recorded during the trial of Adolf Eichmann, in 1961, in Jerusalem, this film about obedience and responsibility is the portrait of an expert in problems resolving, a modern criminal. The film is inspired from the controversial book by Hannah Arendt: "Eichmann in Jerusalem, report on the banality of evil....See more details
What do you do when you don't have any audiovisual archives to support a film dedicated to what is nothing other than a historical event – in this case, Casablanca’s 1981 popular uprising against rising food prices? But what about when, even worse, the very concept of such an archive is a taboo subject within your own family? Many would resign themselves to it....See more details
What makes militant art great is that specific combination between the passion for the argument that characterizes activist rhetoric, and the careful observation and privileged – yet non-intrusive – access yielded by cinema when it serves as a document. The film in question follows the efforts of young Basel Adra, a resident of Masafer Yatta – an area that, following the Six Day War has fallen under Israeli occupation – to prevent the total eradication of the Palestinian presence in the region....See more details
‘Our Body’ is an ambitious documentarian survey of the gynaecology ward in a Parisian hospital. In the hands of the ever so relevant Claire Simon, this investigation is the opposite of intrusive: as various women cross the threshold of the doctor’s office, a space of empathy, of sisterhood even, begins to form all around the camera....See more details